金瓶梅之鸳鸯戏床

两个黑帮大佬和他心爱的女人，度过人生中最玩命的一夜求生战。一部“时光机”的出现，令这一夜瞬间变成时空错乱的闹剧……

　　六位身份各异的陌生人，为赢取高额奖金，在神秘盒子的指引下受邀参与世界顶级密室逃脱游戏。谁知密室内布局精良机关重重，陷阱遍布杀机暗藏。是刺激游戏，还是博命赌局？谁在背后操控这一切？谁能够成功破解谜局，逃出生天？

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

　　肖恩·利维将再次合作老搭档二十世纪福斯，执导新片[陨石坑](Crater，暂译)，利维也将约翰·J·格里芬执笔的原创剧本进行改编。故事被描述为科幻版的[ 伴我同行 ]，讲述在月球殖民地长大的男孩，和三个小伙伴共同前往一处神秘陨石坑探秘，不料却发生意外。影片剧本曾经入选2015年“好莱坞剧本黑名单”。