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剧情简介
一部關于繼母在丈夫出差期間與繼子和二姐夫發生關系的愛情電影。
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新·胡闹将军
松平健,西畑大吾,生濑胜久,高岛礼子,藤间爽子,小泽征悦,胜村政信,小野武彦,木村了,驹木根葵汰,内藤秀一郎,神威乐斗蓝调之歌
休·杰克曼,凯特·哈德森,迈克尔·因佩里奥利,费舍·史蒂芬斯,詹姆斯·贝鲁什,艾拉·安德森,金·普安公主,穆斯塔法·沙基尔,Bob Roseman,杰森·华纳·史密斯,罗伯特·约翰·加拉格尔,Eva Kaminsky,Beth Malone,马特·戈尔斯基,Sean Allan Krill,T. Oliver Reid,Tom O'Keefe,鲍里斯·伦敦,Johnny Olmez,Faye Tamasa看得见时间的男人
余洺轩,郭宽钢铁少女
明日花绮罗,秋山莉奈,城戸裕次,栩原乐人,古原靖久,虎牙光揮罪恶新月城
亚历克·鲍德温,泰伦斯·霍华德,埃塞·莫拉雷斯,妮基·韦兰,迈克尔·希罗,温斯顿·凯奇,安居尔·尼加姆,Maria Camila Giraldo,瑞玛·桑帕特,Danielle Druz这个阿爸真爆炸
梁家辉,蔡卓妍,关智斌人气佳作
格拉德贝克人质事件
萨沙·亚历山大·吉尔萨克,亚历山大·谢尔,Marie Rosa Tietjen,阿尔布雷希特·舒赫希望的另一面
韦勒·维坦恩,卡蒂·奥廷宁,汤米·柯贝拉,什万·哈吉,詹恩·海蒂恩,玛丽亚·贾维纳廉明,萨卡里·库斯曼嫩,约恩·唐纳,妮若兹·哈吉,伊尔卡·克伊瓦拉,米尔卡·阿罗斯,蒂莫·托里克卡,苏勒维·佩尔托拉,坦利·梅克拉,努普·科伊武罗莎夫人
西蒙·西涅莱,Samy Ben-Youb,米莎尔·巴特阿达姆,Gabriel Jabbour,热蕾耶·丰塔内拉,克洛德·多芬菜肉馄饨
周野芒,潘虹,茅善玉,陈国庆,王琳,徐祥,高博文,王菊,陈龙,冯玛娅,倪夏莲,安栋,王佳彦,曹可凡,袁鸣,章龄之,战士强,张芝华,张建亚,顾晓东,卞根琴,孔祥东,贾梓乐,钱小昆,陈瀚波,黄英导演精选
钻石般的她
「人可生如蚁而美如神」：一班裁制亮丽戏服的中年裁缝慨叹自己生如蚁，一名奥斯卡导演拍出她们美如神的生命。导演邀约一众他热爱的演员，重塑一家高级裁缝工作室色彩斑斓、五味集陈的过往，追忆70年代一班坚毅温柔的女裁缝的故事：表面盛势凌人却细腻体贴的老板、善良却抑郁的妹妹拍档、单纯的寡妇和她的小儿子、偏爱小鲜肉的姨姨、被家暴的妻子、昔日美艳的舞者、逃避通缉的少女⋯⋯一群日常女子抛开小我、互相照顾，照亮平凡生活中超越自我的不平凡，展现她们的独立、爱欲、挣扎和力量。意大利金像奖观众人次最高奖意大利银丝带奖年度电影
贞子大战碟仙
影片主打悬疑惊悚，将中日鬼神文化脑洞大开的融合在一起，两股势力的对战让影片过程惊喜不断。高颜值与精良的制作让这部电影成为难得的网络大电影佳品。 影片破天荒的将贞子与碟仙两个角色设置成为撕逼对抗，增添了影片的可看性。人性化的处理、悬疑的升级、科学合理的解释和恰到好处的惊悚效果，让影片回归到了十分理性的逻辑上。主演们均是养眼的俊男靓女搭配，身着统一的校园制服清新亮丽，让一些男性观众对《贞子大战碟仙》无可挑剔
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.