床上戏
别名：弗朗索瓦 t;欧容短片集之床上戏，Sc egrave;nes de lit（98年），;床上戏 ;十个短小的床第故事合集。主题依然是人与人之间沟通。展现了奥宗讲故事时那种独特的幽默而冷僻的气质。 《黑洞》：马赛曲。（设想，同样的场景，换成义勇军进行曲，你会亢奋吗？）《干净先生》：洗澡越少，越能抵抗疾病。让身体自由地表达。 《太太》：52减去19是33。33，基督的年纪。 《头或尾》：69。（最喜欢这篇，太可爱了。） 《理想的男人》：我爱的人其实不存在。《黑暗中的爱》：有灯光在，我觉得很暴力。（第二喜欢，尽管我喜欢开着灯。） 《处男》：你不知道你错过了什么吗？
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繆騫人,林建明,黄霑,周文健,孟海崛起
Caroline McQuade,Kenneth Trujillo,Wassim Hawat,Buffy Anne Littaua,Nicole Sharrock,Melissa Brattoni,Anthony Moisset,Marcus Johnson,杰克·坎贝尔,Melissa Davidson,Natalie Rose,Alex Gallant,Lily Brown Griffiths,Olga Olshansky,Mansoor Noor阿特罗皮亚
阿莉雅·肖卡特,克洛伊·伊斯特,查宁·塔图姆,科洛·塞维尼,简·利维,卡勒姆·特纳,蒂姆·海德克,吉尔·佩雷斯-亚伯拉罕,索尔·洛佩斯,托比·尼克尔斯,托尼·肖卡特,普莉希拉加里塔,吉尔伯托·奥尔蒂斯,Dash Melrose,沙霍莉·艾尔斯,理查德·布莱克蒙,阿里乌斯·巴恩斯,扎赫拉·阿尔祖拜迪,菲尔·伯格斯,肖恩·崔自拍复印机
Shenina Cinnamon,奇科·库尔尼亚万,Lutesha,杰罗姆·库尼亚,迪娅·潘德拉,Giulio Parengkuan,Mian Tiara,鲁思·马里尼,卢克曼·萨尔迪,Rukman Rosadi,Landung Simatupang,雅彦·鲁伊安,Elisabeth Pasaribu,Budi Ros,东尼·达玛拉怪猴
西奥·詹姆斯,塔提阿娜·玛斯拉尼,伊利亚·伍德,劳拉·门内尔,克里斯蒂安·康佛瑞,萨拉·莱维,罗汉·坎贝尔,科林·奥布莱恩,Corin Clark,奥斯古德·珀金斯,Danica Dreyer,Kingston Chan,Dianne Greenwood,齐亚·牛顿午夜的太阳
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谎岛美人鱼
温碧霞,禾浩辰,归亚蕾,庹宗华,董至成,刘国劭,雷艾美,吴大维,黄诗棋知名電影評論網紅古馬木一直在網上做評論為大家排雷，這次他化身AI人工智能潛入電影世界，評論最新爛片《人魚愛上我》主創背後的真實故事⋯ 潦倒編劇樂與母相依為命，偶爾在網上認識十分欣賞樂作品的神秘少女，樂以為覓得「真愛」並為之直奔海島，既為愛情亦為拍檔強介紹的工作。然而「真愛」不出現，編劇工作同樣受挫，投資方堅持改編翻拍了無數次的童話故事美人魚，本應失落的樂卻莫名其妙與民宿老闆娘文漸行漸近。原來樂網戀的「真愛」就是懷春熟女文！文受前夫情傷，年歲漸長的她越發不自信才在網絡上尋求心靈慰藉！ 文自從交上了樂這個網友之後，缺乏自信的她被樂的主動跟甜言蜜語治癒了不少。而樂在文的帶領之下也找到了寫作的靈感，樂忽發其想，邀請文一同合編美人魚的故事，正當劇本寫完之時，樂的母親突然病倒，樂心痛至極同時亦發現文就是當初自己網戀的少女，樂接受不了，拋下狠話，文亦傷心離去，兩人從此再無聯繫。 樂在醫院陪母親走到生命的盡頭，在見證母親跟多年不見的父親一笑泯恩仇，樂明白世界的情感縱使起源於謊言，但結局也能如童話般美好，樂與文這段疑幻似真的情感，究竟過無數電影的古馬木能否猜到這故事的結局？
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
隔壁的外星人
宇野祥平,前田旺志郎,吉村优花,猪塚健太本片改编自同名短篇科幻小说，讲述了某一天开始在世界道路上行驶的无数球的故事，以交通事故为界变得无缘无故被人讨厌的男人的悲剧，因为圆盘故障开始与住在附近的宇宙人的交流等。
联合舰队司令长官：山本五十六
三船敏郎,加山雄三,司叶子,稻叶义男,土屋嘉男,平田昭彦1940年9月，德、意、日三国成立同盟。山本五十六被任命为日本联合舰队总司令，并不得不“违背自己的意愿”，接受命令对美、英、荷等国开战。1941后12月8日零时，山本五十六亲自下达了“1280”密码命令，并亲自率领部队偷袭美国珍珠港，从而对美军太平洋舰队造成重创，大胜而归。随后山本五十六建议与美国讲和，但意见未被采纳。在指挥中途岛战役时，由于战略上的重大失误，日本海军遭受惨重损失。形势陡然逆转，美军攻势如虹，日军兵败如山倒。瓜达康纳岛上有三万多名日本陆军，他们遭到了美军飞机的昼夜轰炸，陷于绝境。山本五十六派出舰队炮击美军基地，协助尚存的陆军安全撤退。1943年4月18日，山本五十六为了鼓动前线部队的士气，乘坐一架轰炸机到前线视察。没想到日军的密码被美军窃取，美军派出空军机队将山本五十六的座机击落，一代军人山本五十六就此碎尸于太平洋上空。
灵犀
Jay Dee,Daniel 'Doknow' Lopez,Uziel Pantoja Delgado,Pao Villalobos,Nana Ponceleon,Laura Lopez,Francine Sena,Liz Ellie,Xavier Mendoza,Jose Mata,Cristian E. Gutierrez,Josh Benitez,Cory Aycock,Angelina Rosa,Noman Hosni,Terrence DeLane,Seryn野心勃勃的小镇音乐家的表演视频在网络上火了，他想要抓住机会在乐坛占据一席之地，可这场追名逐利的游戏也许不是他能够把握的。