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摩登衙门
郑则仕,李修贤,冯淬帆,廖伟雄,王青119紧急呼叫2026 横滨大停电
清野菜名,濑户康史,见上爱,一之濑飒,前原滉,中村友理,佐藤浩市,酒井大成,三浦獠太,堀内敬子,远山俊也,长野博,莉子,柏原收史,丸山礼捆绑上天堂
倪妮,周游,廖凡1922
托马斯·简,莫莉·帕克,迪兰·施密德,凯特琳·伯纳德,尼尔·麦克唐纳,坦娅·钱普,布莱恩·达西·詹姆斯,鲍勃·弗雷泽,埃里克·李塞德,皮特·纽,布鲁斯·布莱恩,格雷姆·达菲十二个想死的孩子
杉咲花,新田真剑佑,北村匠海,高杉真宙,黑岛结菜,桥本环奈,吉川爱,萩原利久,渕野右登,坂东龙汰,古川琴音,竹内爱纱奇迹梦之队
凯莱布·麦克劳克林,加布里埃尔·尤尼恩,斯蒂芬·库里,妮可拉·考夫兰,尼克·克罗尔,大卫·哈伯,詹妮弗·路易斯,帕顿·奥斯瓦尔特,Jelly Roll,亚伦·皮埃尔,鲍比·李,安德鲁·桑提诺,雪莉·可拉,爱德华多·弗兰科,詹妮弗·哈德森,阿伊莎·库里同类推荐
大明嫔妃之登基
宋洋,何杜娟,朱一龙,陈一诺,王艺曈,王春妹,赵家林,陈思璇,关慧卿太子在上朝时，建议由熊廷弼将军去攻金兵。万历在郑贵妃面前吐了血，太医说活不过一个月。万历心疼郑贵妃说，我要让你当皇后，我不让常洵当皇帝是因为，我想让他享清福，过平民生活，我10年不理朝政，就是为了这种生活，而郑贵妃心里却很生气。她不让大臣和皇太子觐见。三皇子要去攻打匈奴，而郑贵妃却说，要让常洵留京，否则太子会继位后杀他。三皇子领一万精兵，郑贵妃便要挟崔文生公公，把章印在假圣旨上，让其子留京。王安公公为保护传国玉玺，假意装疯。而其义子是郑贵妃的人，一心要拿玉玺，一夜，王安见他上吊，便将玉玺藏在花瓶里，谁知他诈死，拿走了玉玺。太子与大臣谈话，梅儿见苗头不对，便放出芊芊，芊芊与桦儿相认，痛哭不止。兰心和碧瑶去找王庭家的女眷，希望能救太子。万历夜里睡觉，要喝水，可是郑贵妃却去拿玉玺，万历驾崩了。太子有要事要进宫，而三皇子不让，芊芊趁机出来，三皇子同意了，还要跟芊芊远走高飞。进宫之后，知道皇帝驾崩，郑贵妃出八雄。而金碧瑶以江南绣娘的名义进宫，便让女眷与八雄斗。梅儿在让朱由校习武，郑贵妃派人活捉太子之子，梅儿灵敏聪慧，救了由校一命。王安去找总教头派御林军救驾，熊廷弼将军也回来了。芊芊为救太子，牺牲了。三皇子交出了令牌，太子答应芊芊封她为福亲王妃，芊芊便咽气了。太子继位，号泰昌，让民众减税，让壮士出征，喝了三大碗。封上官兰心为敬贤妃，封金碧瑶为英德妃，李梅儿为李选侍。
猩球崛起
安迪·瑟金斯,詹姆斯·弗兰科,芙蕾达·平托,约翰·利思戈,布莱恩·考克斯,汤姆·费尔顿,泰勒·莱伯恩,卡琳·考诺娃,泰瑞·诺塔里,理查德·赖丁斯,克里斯托弗·戈登,德文·达尔顿,杰·卡普托,大卫·奥伊罗,杰米·哈里斯为了能让身患老年痴呆症的父亲重回正常的生活，威尔·罗曼（詹姆斯·弗兰科 James Franco 饰）一直致力于名为“Cure”的基因药物的开发，并在大猩猩身上不断进行着药物试验。在公司已经失去信心的同时，威尔继续在家完成试验，并在一只名为凯撒的大猩猩身上获得成功。借助灵长类学家卡洛琳（芙蕾达·平托 Freida Pinto 饰）的帮助，威尔发现凯撒的智力极大地提高。不过，人类的社会始终无法接受拥有极高智力的凯撒，凯撒被送往了猩猩看护所。看护所的残酷对待，使得凯撒利用智慧进行抗争，最终救走了同时被囚禁的其他猩猩，而且对它们都使用了Cure。一群高智商的猩猩与人类对立的战争就此拉开。本片获得了第84届奥斯卡最佳视觉效果的提名。
我的老婆是女优
Artur Ignatenko,莉莉娅·茨维利科娃,亚历山大·梅尔尼克马丁是一名成人电影行业的经纪人，在一家夜总会侦察时，他遇到了达莎。她在洗手间里给他看了一些非常有才华的东西，他开始考虑让她在一部成人电影中扮演一个角色。这个行业最近变得非常时髦，他向她承诺，她将成为超级明星，她的电影将炸毁网络。然而，。..
捏造贝多芬
山田裕贵,古田新太,染谷将太,神尾枫珠,前田旺志郎,小泽征悦,生濑胜久,小手伸也,野间口彻,远藤宪一,藤泽凉架,新原泰佑,前原瑞树,堀井新太,坪仓由幸,西田尚美,市川纱椰,安井顺平,泉泽祐希,前野朋哉本片改编自同名小说。贝多芬（古田新太 饰），众人心中的孤高天才，原来竟是秘书一手捏造的“神话”？本片揭开历史迷雾，讲述一个粗俗邋遢的真实贝多芬，如何在忠实秘书辛德勒（山田裕贵 饰）的笔下，被改写成永垂不朽的圣人音乐家。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.