42岁

⭐ 2.7 播放:11万 2026-05-01

Follows暂无内容41-year-old暂无内容Christine暂无内容on暂无内容her暂无内容quest暂无内容for暂无内容happiness.暂无内容Together暂无内容with暂无内容her暂无内容husband暂无内容and暂无内容her暂无内容teenage暂无内容daughter,暂无内容she暂无内容goes暂无内容on暂无内容holiday暂无内容on暂无内容the暂无内容beautiful暂无内容island暂无内容of暂无内容Ischia.暂无内容There暂无内容she暂无内容finds暂无内容herself暂无内容having暂无内容an暂无内容identity暂无内容crisis暂无内容due暂无内容to暂无内容the暂无内容arrival暂无内容of暂无内容the暂无内容long暂无内容lost暂无内容love暂无内容of暂无内容her暂无内容youth暂无内容and暂无内容her暂无内容lover暂无内容and暂无内容his暂无内容wife.

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剧情提要

Follows暂无内容41-year-old暂无内容Christine暂无内容on暂无内容her暂无内容quest暂无内容for暂无内容happiness.暂无内容Together暂无内容with暂无内容her暂无内容husband暂无内容and暂无内容her暂无内容teenage暂无内容daughter,暂无内容she暂无内容goes暂无内容on暂无内容holiday暂无内容on暂无内容the暂无内容beautiful暂无内容island暂无内容of暂无内容Ischia.暂无内容There暂无内容she暂无内容finds暂无内容herself暂无内容having暂无内容an暂无内容identity暂无内容crisis暂无内容due暂无内容to暂无内容the暂无内容arrival暂无内容of暂无内容the暂无内容long暂无内容lost暂无内容love暂无内容of暂无内容her暂无内容youth暂无内容and暂无内容her暂无内容lover暂无内容and暂无内容his暂无内容wife.

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春生回家

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幕后花絮

好像一切都很糟糕

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

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