沙上的植物群
故事讲述了一个化妆品销售员伊木在夜晚的海滨塔遇到了一个名叫明子的陌生少女。明子全身僵硬，尽管痛苦却与伊木发生了关系。她穿着水手服，无辜地说她“想要尽快失去它”，并请求伊木诱惑她的姐姐京子，让她遭受苦难，并将这一切告诉她。伊木找到了在酒吧“铁锤”当女招待的京子，并诱她去旅馆。京子身上有三个青色的瘀伤，这些是她的瘀伤。伊木强烈地握住带有瘀伤的京子的胸部，并表达了他的强烈愿望。两人的关系继续扭曲地发展，京子的身体始终带有青紫色的痕迹，她因为这些痕迹而异常兴奋，显露出她的受虐倾向。随着时间的推移，与京子的关系使伊木身体和精神都极度消耗，甚至他的妻子江美子也开始担心他。一天，伊木从“铁锤”酒吧出来后偶遇京子的妹妹明子，明子责备他没有遵守承诺告诉她发生了什么。伊木被明子的水手服激起了不洁的欲望，于是诱她去旅馆。
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剧情提要
故事讲述了一个化妆品销售员伊木在夜晚的海滨塔遇到了一个名叫明子的陌生少女。明子全身僵硬，尽管痛苦却与伊木发生了关系。她穿着水手服，无辜地说她“想要尽快失去它”，并请求伊木诱惑她的姐姐京子，让她遭受苦难，并将这一切告诉她。伊木找到了在酒吧“铁锤”当女招待的京子，并诱她去旅馆。京子身上有三个青色的瘀伤，这些是她的瘀伤。伊木强烈地握住带有瘀伤的京子的胸部，并表达了他的强烈愿望。两人的关系继续扭曲地发展，京子的身体始终带有青紫色的痕迹，她因为这些痕迹而异常兴奋，显露出她的受虐倾向。随着时间的推移，与京子的关系使伊木身体和精神都极度消耗，甚至他的妻子江美子也开始担心他。一天，伊木从“铁锤”酒吧出来后偶遇京子的妹妹明子，明子责备他没有遵守承诺告诉她发生了什么。伊木被明子的水手服激起了不洁的欲望，于是诱她去旅馆。
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恐怖列车
索拉·伯奇,吉迪恩·埃默里,卡凡·瑞斯,Derek Magyar,格罗瑞亚·沃特西斯,Todd Jensen,Vladimir Vladimirov夜逃屋本铺2
中村雅俊,高木美保,益岡徹,中島陽典,風間杜夫,松居一代,中山忍,余貴美子亲陌公园
路易斯·布兰多尼,爱德华多·布兰科,Verónica Pelaccini,Agustín Aristarán,Manuela Menéndez,Matías Alarcón怀旧者
朗贝尔·维尔森,萨缪尔·乔斯林,Scott Hinds最佳女婿
张学友,周星驰,莫少聪,张敏,吴耀汉,沈殿霞,梁荣忠,胡枫,廖启智,郑欣宜运钞大劫案
吴樾,包贝尔,伍允龙,元彪,安志杰最伟大的时光
艾斯林·贝亚,马修·麦克诺提,爱丽丝·洛维,伊莎贝尔·贝尔纳多,埃玛·阿莫斯,罗拉·麦克唐纳,齐吉·希思,马克·伍顿,阿尔弗雷多·塔瓦雷斯,Jayde Adams,安马卡·奥卡福,Barry O'Connor,Emmet Byrne,Matthew Koon,Manolia Nannou幕后花絮
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
最后一根稻草
在父亲的小餐馆发生了可怕的案件后，Nancy决定独自值完当晚的最后一班来收拾残局。但她不知道，自己并非孤身一人，她必须在漫漫长夜中为自己的生命而战。